Editor's note: In the fashion industry, Haute Couture means a commanding luxury and has unrivaled privilege. Behind the dramatic lively, advanced customization of advanced ideas, has a very important inspiration for the future trend of fashion, many of which small elements will be used in the production of high-grade garments, are likely to become popular fashion trends in the future.
In the fashion industry, Haute Couture means the commanding point of luxury and has unrivaled privilege. Behind the dramatic lively, advanced customization of advanced ideas, has a very important inspiration for the future trend of fashion, many of which small elements will be used in the production of high-grade garments, are likely to become popular fashion trends in the future.
This is the biggest meaning of advanced customization for the entire fashion industry. The release of the Paris Haute Couture series in the spring and summer of 2012 may be caused by the impact of the financial crisis. Many of the original haute couture brands are collectively pursuing a garment-oriented route and are built on complex, sophisticated and sophisticated production techniques. The dream of surpassing reality has turned to pragmatism, but advanced customization has always been a product of niche consumption and public concern. Therefore, whether garments can become the future of advanced customization may only be found in the perspectives of major brand shows. .
There are only a dozen or so brands that can provoke haute couture in Paris. This is not to say that there is certainly a lack of talented designers behind the design. There are also many designers striving to study the style of the brand. Dior's new designer, Bill Gaytten This is the best example, but besides ensuring that Dior's brand style is not out of shape, he still lacks some self-assertions. Under such a much-anticipated background, he has fewer ambitions. As the helm of the brand, it is not enough to continue and maintain the features of the old era, because the forward-looking design of high-profile designs not only meets people's attention, but also leads the next season or even longer.
Versace: Metal fantasy relies on Versace, which has seen rapid growth in cooperation with H&M. After returning from the stage of advanced customization for 8 years, it returns again. But this time the return, it does not seem to deduce the shocking visual feast that everyone expects, and the high degree of ready-to-wear has broken the myth of haute couture. This season Versace Haute Couture Custom Collection focuses on shaping the female body's hourglass-shaped curve. Dazzling and tight-fitting are the keys to exaggeration. From top to bottom, sequins are embossed or emphasizing the shoulder or increasing the hip circumference, which is full of modern metallic taste. A strapless leotard with nostalgic colors highlights the image of the future female warrior.
Alexis Mabille: The single color Alexis Mabille seemed to be a magician to play with color this season. However, his technique is not how to mix, but he is trying to be simplistic. Each suit uses only one color. From the brightest red to the lightest blue, the entire series forms a gradual effect. Each model's face is smeared with the same color as the clothing, and the tulle flowers exaggerated on the top of the head. This designer's unique personality-style whim, attention is often not the clothing itself, it may be difficult for people to read his monotonous and monotonous expression. As far as the clothing itself is concerned, similar to the men's style of large-profile, paste and body slim fishtail skirt, it is not much to see.
Chanel: Blue Gradient This time, Chanel uses 150 shades of blue to show the sleek and forward-looking fashion trends of the costume. This is a decadent, indignant and anxious expression in the recent press conference of Karl Lagerfeld. The style is very different. Throughout the show, the audience seemed to be on the space shuttle. The process of clothing display led the audience out of the Earth's atmosphere and sailed into space. At the end, the earth passes through the top of the head. After a sunny day, visitors can enjoy the splendid outer space.
The focus of this season's clothing display is a new fashion concept. For those designers who often change styles, the new idea is just some kind of slogan, but Carl Lagerfeld clearly conveys this idea. The sloppy youth is in stark contrast to the complexity of the techniques used to design the garments, but it ultimately reflects a classic elegance. The extended neckline is an interpretation of the neckline, and rolled up sleeves form a perfect bell shape. The slender, thin clothing that ends above the ankle is a manifestation of culture.
Christian Dior: Dior of John Galliano, who lacked the old times style, didn't have much surprises, but it was not too disappointing. At the new helm of British designer Bill Gaytten, Dior's style remained the same, but it looked a bit conservative, without the madness and dramatic appeal of the previous season. The transparent tulle shows the classic structure of Dior. On the white skirt at the bottom of the hem, the black floral pattern is like the first draft used by the embroidery artist to fill the color. The black crocodile pattern is set off by the patent leather. In another dress, the ostrich figure is embroidered with sequins, like a body map. Another thing is that the sequins are strung into a grid, like a designer's will. This feeling was worn throughout the evening dress design from start to finish. A shoulder-length black dress featured sequin embroideries and splashes of sequins, revealing the use of innocence to brighten up the design. The same effect is also exhibited in the boat design of a Dior grey women's dress, which is overly pleasing to the human, and its skirts use exaggerated wavy chiffon.
Armani Privé: Into the Wild The theme of Armani Privé's conference was a transformation, with particular emphasis on the transformation of snakes. The natural processes of snake skins and butterflies have affected the silhouette of the series. The skirt was designed to be wrapped tightly like a silkworm cocoon, while in the evening wear, metallic sequins were adorned outside the silk. The backstage of this season also highlights this natural charm. Green is the tone of the whole. Serpentine is full of the visual and brings people to feel the wild atmosphere of the jungle. This is also the most convincing design work presented by Armani Privé so far.
Bouchra Jarrar: Bouchra Jarrar from the details to tailor the main details of this season's work reduces the high-level customization in the flashy, showing a personalized fashion. As always, designers focus on tailoring. Compared with the previous quarter, the trousers had tighter hips, looser trousers and a more masculine jacket. This was thanks to the double-breasted profile, angular shoulders and brass military uniform buttons. In addition, printing is an integral part of this season. Bouchra Jarrar, who had never tried printing designs before, tried to use the silk floral wallpaper pattern on soft shirt-style dresses and dresses to try to lead the next wave of fashion.
Looking at the Paris Haute Couture in the spring and summer of 2012, the old Versace returning to Gao Ding after eight years of this stage is sounding so exciting, but it does not seem particularly touching. Today, dramatic and disruptive scenes have been rare in Gao Dingxiu’s field. It is people’s tastes that are getting heavier. Is it that their predecessors’ achievements cannot be surpassed?
In the fashion industry, Haute Couture means the commanding point of luxury and has unrivaled privilege. Behind the dramatic lively, advanced customization of advanced ideas, has a very important inspiration for the future trend of fashion, many of which small elements will be used in the production of high-grade garments, are likely to become popular fashion trends in the future.
This is the biggest meaning of advanced customization for the entire fashion industry. The release of the Paris Haute Couture series in the spring and summer of 2012 may be caused by the impact of the financial crisis. Many of the original haute couture brands are collectively pursuing a garment-oriented route and are built on complex, sophisticated and sophisticated production techniques. The dream of surpassing reality has turned to pragmatism, but advanced customization has always been a product of niche consumption and public concern. Therefore, whether garments can become the future of advanced customization may only be found in the perspectives of major brand shows. .
There are only a dozen or so brands that can provoke haute couture in Paris. This is not to say that there is certainly a lack of talented designers behind the design. There are also many designers striving to study the style of the brand. Dior's new designer, Bill Gaytten This is the best example, but besides ensuring that Dior's brand style is not out of shape, he still lacks some self-assertions. Under such a much-anticipated background, he has fewer ambitions. As the helm of the brand, it is not enough to continue and maintain the features of the old era, because the forward-looking design of high-profile designs not only meets people's attention, but also leads the next season or even longer.
Versace: Metal fantasy relies on Versace, which has seen rapid growth in cooperation with H&M. After returning from the stage of advanced customization for 8 years, it returns again. But this time the return, it does not seem to deduce the shocking visual feast that everyone expects, and the high degree of ready-to-wear has broken the myth of haute couture. This season Versace Haute Couture Custom Collection focuses on shaping the female body's hourglass-shaped curve. Dazzling and tight-fitting are the keys to exaggeration. From top to bottom, sequins are embossed or emphasizing the shoulder or increasing the hip circumference, which is full of modern metallic taste. A strapless leotard with nostalgic colors highlights the image of the future female warrior.
Alexis Mabille: The single color Alexis Mabille seemed to be a magician to play with color this season. However, his technique is not how to mix, but he is trying to be simplistic. Each suit uses only one color. From the brightest red to the lightest blue, the entire series forms a gradual effect. Each model's face is smeared with the same color as the clothing, and the tulle flowers exaggerated on the top of the head. This designer's unique personality-style whim, attention is often not the clothing itself, it may be difficult for people to read his monotonous and monotonous expression. As far as the clothing itself is concerned, similar to the men's style of large-profile, paste and body slim fishtail skirt, it is not much to see.
Chanel: Blue Gradient This time, Chanel uses 150 shades of blue to show the sleek and forward-looking fashion trends of the costume. This is a decadent, indignant and anxious expression in the recent press conference of Karl Lagerfeld. The style is very different. Throughout the show, the audience seemed to be on the space shuttle. The process of clothing display led the audience out of the Earth's atmosphere and sailed into space. At the end, the earth passes through the top of the head. After a sunny day, visitors can enjoy the splendid outer space.
The focus of this season's clothing display is a new fashion concept. For those designers who often change styles, the new idea is just some kind of slogan, but Carl Lagerfeld clearly conveys this idea. The sloppy youth is in stark contrast to the complexity of the techniques used to design the garments, but it ultimately reflects a classic elegance. The extended neckline is an interpretation of the neckline, and rolled up sleeves form a perfect bell shape. The slender, thin clothing that ends above the ankle is a manifestation of culture.
Christian Dior: Dior of John Galliano, who lacked the old times style, didn't have much surprises, but it was not too disappointing. At the new helm of British designer Bill Gaytten, Dior's style remained the same, but it looked a bit conservative, without the madness and dramatic appeal of the previous season. The transparent tulle shows the classic structure of Dior. On the white skirt at the bottom of the hem, the black floral pattern is like the first draft used by the embroidery artist to fill the color. The black crocodile pattern is set off by the patent leather. In another dress, the ostrich figure is embroidered with sequins, like a body map. Another thing is that the sequins are strung into a grid, like a designer's will. This feeling was worn throughout the evening dress design from start to finish. A shoulder-length black dress featured sequin embroideries and splashes of sequins, revealing the use of innocence to brighten up the design. The same effect is also exhibited in the boat design of a Dior grey women's dress, which is overly pleasing to the human, and its skirts use exaggerated wavy chiffon.
Armani Privé: Into the Wild The theme of Armani Privé's conference was a transformation, with particular emphasis on the transformation of snakes. The natural processes of snake skins and butterflies have affected the silhouette of the series. The skirt was designed to be wrapped tightly like a silkworm cocoon, while in the evening wear, metallic sequins were adorned outside the silk. The backstage of this season also highlights this natural charm. Green is the tone of the whole. Serpentine is full of the visual and brings people to feel the wild atmosphere of the jungle. This is also the most convincing design work presented by Armani Privé so far.
Bouchra Jarrar: Bouchra Jarrar from the details to tailor the main details of this season's work reduces the high-level customization in the flashy, showing a personalized fashion. As always, designers focus on tailoring. Compared with the previous quarter, the trousers had tighter hips, looser trousers and a more masculine jacket. This was thanks to the double-breasted profile, angular shoulders and brass military uniform buttons. In addition, printing is an integral part of this season. Bouchra Jarrar, who had never tried printing designs before, tried to use the silk floral wallpaper pattern on soft shirt-style dresses and dresses to try to lead the next wave of fashion.
Looking at the Paris Haute Couture in the spring and summer of 2012, the old Versace returning to Gao Ding after eight years of this stage is sounding so exciting, but it does not seem particularly touching. Today, dramatic and disruptive scenes have been rare in Gao Dingxiu’s field. It is people’s tastes that are getting heavier. Is it that their predecessors’ achievements cannot be surpassed?
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