How to Make Innovations in Old Sticky Pictures

“I have deep feelings for Shenzhen. I was very glad and pleased to be able to return to the exhibition 10 years after I left the city.” Yesterday afternoon, Wu Jiantang, the famous painter and “unreliable” painting master, accepted Shenzhen. According to an interview with the China Business Daily reporters.

From October 1st to October 10th, the "Wu Jiantang Twilight Painting Shenzhen Exhibition" will be exhibited in the VIP room of the Shenzhen Grand Canal Center Stadium. The exhibition was jointly sponsored by the Chinese Academy of Chinese Painting, the Shenzhen Municipal Party Committee Propaganda Department and Shenzhen Wenlian. It will display a total of 96 portrait paintings by Wu Jiantang in different periods.

As a unique kind of painting, the painting is known as "a Chinese one." In recent years, Wu Jiantang has also been constantly innovating the art of paintings and paintings in order to continue to carry them forward. Talking about his own creative feelings, Wu Jiantang summed up this way to reporters: “I admire the 'three beautifuls'— rough, beautiful, and easy-going.”

What is a sash painting instead of a writing brush? Wu Jiantang introduced that the earliest paintings were created by his father and famous artist Wu Daobei. Wu Daobei is a master of Chinese painting with Xu Beihong, Zhang Daqian, and Guan Shanyue. He is known as the "Chinese talented painter." In 1935, Wu Daobei lost his writing brush in the retreat from the war and was eager to sketch the rivers and mountains in his eyes. He accidentally invented the painting of the cassock by “becoming a blessing in disguise.” In other words, the paper sheets that were specially processed and produced were folded into various types of “strings” instead of The Chinese paintings made by brush, ink, and ink.

For many years, this kind of sculptural paintings with free and exhilarating, excitable, mottled, and unadorned visual stimuli is another form of artistic philosophical and artistic theories excavated in the field of painting, and also enriches the treasures of Chinese painting art. In 1940, Xu Beihong also specially praised the paintings as "a strange and extraordinary skill."

Wu Jiantang told reporters that he had studied painting with his father since he was 4 years old and was fortunate to be taught by his father’s painting friends Zhang Daqian and Xu Beihong. Over the years, on the basis of inheriting his father's founding paintings, he also inherited and boldly innovated the paintings. In 1999, Wu Jiantang's frieze painting "Pisces Map" won the 5th International Calligraphy and Painting Exhibition Art Gold Medal, and was praised by Master Guan Shanyue.

Today, Wu Jiantang has become dean of the Chinese Society for the Design and Development of the Meteorological Institute, Director of the International Artists Association, and honorary president of the Chinese Academy of Chinese Painting. In 2009, he was assessed as “Master of Intangible Cultural Heritage”. After decades of painstaking efforts, he continued to develop and develop paintings and even invented the paintings of purlins. He was deeply admired by domestic and foreign artists.

The “Stripes” tool simplifies the creation of six kinds of talks about the innovations of the paintings. Wu Jiantang said that he has refined, new, odd, and different methods in the selection, use of paper, expression techniques, and production of 'strings'. The unique personality has been created new. "My father's meticulous paintings contain a variety of themes. People, landscapes, flowers and birds, and beasts are all. On this basis, I focus on developing distinctive themes." Wu Jiantang introduced, after years of exploration, he found A fish that is produced in his hometown, the river fish. The fish's fish has a conical, prominent prominence on the front; the fish mouth is crescent-shaped, lip-thick, and the overall shape is unique.

“After selecting this kind of fish, I hope to use this as a breakthrough to create a new art form for the paintings.” Wu Jiantang said that when he first painted river fish, he often plunged more than 20 meters deep into the water. A closer look at this fish, which had nearly drowned on several occasions. Hard work pays off, and his creation and award-winning Pisces Picture is the result of his constant attempts and exploration.

Wu Jiantang has also made innovations in this tool. “My father originally produced 34 types of purlins, with different thicknesses and soft and soft qualities. When fathers are painting, they often unfold these purlins like a fan.” Wu Jiantang thinks that there are so many kinds of The "article" is not conducive to the practical application of the painting, because it often confuses the "creation", but it's hard to find a suitable one. Therefore, Wu Jiantang simplified the types of “stripes” into six types, which are not only convenient to use when selected, but also provide a clearer distinction between the functions of various types of purlins.

Oil paintings with ink and brush styles Today, Wu Jiantang lives in Beijing. Although he is 75 years old, he still maintains a strong creative energy. In addition to the theme of fish, he also focuses on the subject of orchids and occasionally draws themes such as tigers and landscapes. In addition, he created paintings such as “The Song of Mountain Morning”, “Drunken World”, and “The Ascendant Rose Color”. With the theme of idyllic landscapes, he created Chinese ink paintings, aura, and aura in Chinese painting. Rough, open-minded, awe-inspiring, harmonious beauty of the sky and phonological beauty.

Wu Jiantang said that he still continues to improve the expressions of the purlin paintings, so that the paintings are full of dignified, mottled, deep and vigorous artistic styles, and they are accompanied by a “poetic fun” and a bitter, heavy “reversal”. The taste."

Wu Jiantang told reporters that he had a lot of emotions about Shenzhen. He lived in Shenzhen for four years from 1999 to 2002. He also held a solo painting exhibition in Shenzhen in 2001. Wu Jiantang’s personal painting exhibition was re-organized in Shenzhen both in his works created 20 years ago and in new works created in recent years. “I hope that the exhibition in Shenzhen can be enjoyed by the painters and art lovers in Shenzhen. This is also the motivation for me to constantly promote the painting techniques of the paintings.”