Art style Chinese ancient women's underwear romantic feelings (Figure)

Chinese ancient women's underwear is unique in the costume art with its romantic feeling of "close clothing". It is a private whisper in the private space of women, shy and introverted, serving as a carrier for the expression of beauty and affection. Once its mysterious veil is unveiled, it is a sculptural concept of shape-shaping, an elegant and generous color scheme, and an infinitely engraved totem ornament. Unique creative arts and crafts all reveal the women’s aspirations for the concept of life value, aesthetic interest, emotional sustenance, and sentimental sensing.
Women's underwear is a private dress in a specific time and space. It is more free, more romantic and more intelligent than Other clothing that is restricted by the etiquette system. Whether it is a stunning style woman, a young girl of Chinese style jasper, or a squeamish woman, they all pay special attention to the privacy of underwear. The pursuit of personalized artistic splendor on the platform.

Kiki
Chinese ancient women's underwear in the modeling concept, emphasizing in the underwear between the clever division to shape the body. In the management of the style structure, we pay attention to the different segmentation and layout of the plane shape, and reflect the unique creative ideas in the novelty of the boxy division to achieve surprisingly high, flat, vivid, and flat Chinese rhyme. The style of ancient Chinese women's underwear is not only conformed to the natural attributes of human body wear but also corresponds to the social attributes of custom etiquette. It contains a series of standard features such as “custom made by people”, “determined by questions”, and “by custom”, which fully embodies the profound knowledge of ancient Chinese women's underwear culture. From the exterior design to specific details, it clearly reflects the social culture and performance of the time. It has both length and width interspersed in the creation of style art, and there are changes in thickness and movement. In ancient Chinese women's underwear, there were two styles of "front and back wrapping" and "front chest single-piece" styles, covering the "breast back" and "covering breast milk." Judging from the current research, there are several types of styles such as rectangles, squares, diamonds, imaginary shapes, fans, triangles, and imitating animal and plant patterns.

Colourful ideas
The ancient Chinese women's underwear art has extremely rich imagination in the creation of color, which is reflected in the diversity of colors, the distinctiveness of the region, the clever use of gold and silver, and so on. Li Yu, a great poet in the Ming Dynasty, vividly described the different facets of people, colors, and inner costumes in his "Everything in Love". “The house of wealth, where there are garments and garments, can be served in and out, and the colors are like a garment....” The ancient Chinese women’s underwear has a “compassionate lyrical contrast method” and “warm feelings.” The "conciliatory method" is the most distinctive. The strong contrasting expressions such as red and green, and the strong contrast between blue and yellow are used to create a contrast, and then black and white, gold and silver are interspersed into a rich effect. The position of the color arrangement is also different. There are Chinese-style, corner-style, scattered-point, and floor-style. The warm and subtle harmony method is similar, similar, and the same color arrangement goes through different color areas and orientations. The arrangement produces warm and subtle, elegant and poignant decorative effects, such as the use of a gradient of different shades of color to create the blooming warmth effect.

Totem ornament
The totem motifs of ancient Chinese women's underwear are more colorful, and they indulge in the display of landscapes, flowers, birds, clouds, mascots, gods, myths, opera figures, and life figures. It advocates that the heavens, the earth, and people share the same roots, and that the concept of equality and harmony should be displayed on the body in order to form God, and that God should be refreshed to tell the sentimental aesthetic thoughts. In the form of ornamentation, the appearance of God is not only focused on the description of the external beauty of natural scenery, such as peony and moire, but also emphasizes the implication of the image and the expression of implication, such as “blessing” and the harmony of the magpie and plum blossoms. The combination of animal and plant patterns, such as "Lian (Lian) more than a year (fish)", "Three more phases (more children, more longevity, more blessings)", etc. are the typical Chinese traditional auspicious patterns on the platform of the expressive Reproduction. The totem charm in the ancient Chinese underwear art is not only manifested in the composition of each individual pattern, but also reflected in the unique position of the layout and layout of the pattern. It is full of infinite romance.

Decorative techniques
Ancient Chinese women's underwear is also very artistic in creativity in the creation of garments. Its decorative techniques include various techniques such as embroidering, inserting, affixing, supplementing, and embedding. The emphasis on manual stitching alone is not wrinkle, looseness, tightness, or cracking. Pursuit of the appearance of flat clothing, straight, thin, soft and light. In the production of underwear, the charm of local embellishment is emphasized. For example, the connection between the sling of the breast and the part of the garment is decorated with different patterns of floral patterns to make it beautiful, and some of the disc buckles are also set with gold and silver threads. Exquisite look. In the aspect of embroidery of underwear, the art principles of energy, cleverness, wonderfulness, and God are emphasized. The stitches include flat stitches, needle stitches, and knitting stitches. In particular, fixed stitch embroidery uses nails, dish pins, tie-ins, piles, beads, and patches on the patterns boldly. For the second time, it greatly enriches the decorative vocabulary of ancient Chinese women's underwear. Only the patch type has different treatment such as sticking feathers, sticking hairs, and sticking hairs.

The ancient Chinese woman's underwear is a sentimental cultural history. It achieves the contrast of body and social expressions, body and life values ​​in the segmentation of different geometric shapes of “breast-thorp-only breasts”. Through this platform of performance, women’s different ages are transmitted. The concept of value with culture reveals inner feelings.